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About Me Premium Member General Writer HarrespilFemale/France Recent Activity Deviant for 7 Months
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Wardruna

On the way to Wardruna's concert in Tilburg

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My name is Angelique "Harrespil". I am an art lover, with a special preference for literature and sculpture.
I am a "baby-photographer", as I am only beginning to shoot, mostly outdoors.

I work with:
- fleeting light through clouds
- textures
- contrasts between natural elements
- mirror images and reflections

Devious Info

  • Current Residence: Nice, France
  • Interests: Nature, Art
  • Favourite movie: The Piano
  • Favourite band or musician: http://www.last.fm/user/augusteneyt
  • Favourite genre of music: Goth rock / Psychedelic / Black Metal / Pop / Folk ...
  • Favourite artist: Frida Kahlo
  • Favourite poet or writer: Virginia Woolf
  • Favourite photographer: Julia Margaret Cameron / Darren Holmes
  • Favourite style of art: Painting / Sculpture
  • Favourite game: Timelapse, Atlantis 3, Myst , Syberia
  • Favourite cartoon character: Mafalda

Antony Hegarty

Fri Apr 24, 2009, 6:51 AM
I have always loved the piano forte, both for its sound and the motherly shape of its body. The Piano was my favourite film as a teenager, and remains very much so, especially for the artistically nude Harvey Keitel amorously caressing its surface with a cloth.
For fear of losing myself in Yann Tiersen and Philip Glass, I opened up to other composers, and my taste for dark folk music permitted the discovery of Michael Cashmore's solo work, very different from his band Nature and Organisation.
"The Snow Abides" is a musical piece of poetry. Antony's soft voice gently soars over Cashmore's melancholy melodies, telling tales that taste like flowers dying, snow melting and eyes opening on white empty skies.
There is so much to listen to in this album and so much to perceive and imagine as well.
This was my first introduction to the voice of the person who is, for me, one of the greatest artists who walk the earth, Antony Hegarty. Why? Because of his sensitivity, of his propensity to channel emotions and change them into sweet tunes, Antony becomes a messenger of intemporal beauty.

[link]

  • Listening to: Michael Cashmore

Comments


:iconsudlice:
Thanks a lot for watch !!! :hug:
:iconharrespil:
You're welcome. I really love what you're doing. I find some of your pics so full of melancholy

--
^v^ Til Astra på gal vei ^v^
In my galleries: nature, Norden (Norway, Scotland), South of France, paganism
:iconjanellemckain:
Thanks for watching!

--
"Where the spirit does not work with the hand there is no art." - Leonardo da Vinci
:iconkarenaaurea:
thanks for the fav!
It means alot coming from someone like you :)
+ nice gallery!

--
Wer wartet mit Besonnenheit,
der wird belohnt zur rechten Zeit.
Nun das warten hat ein Ende,
leiht euer Ohr einer Legende;

- RAMM - STEIN -
:iconx-psyko-dr3am-x:
Merci :)

--
² The World Is Yours ² -- Si Tu Es Ici Sur Terre C'est Pour Y Apporter Un Plus Et Non Pour Te Morfondre Dans Le Tas. [link]
:iconchac-chac:
Bonjour Mademoiselle (ou Madame?) ! <D

Thank you very much for watching!
Seems like you're a traveller... your photographs are very nice (especially those of Scotland)!



meow~
chacy.

--
[ No passion in nature's so demoniacally impatient, as that of him who, shuddering upon the edge of a precipice, thus meditates a plunge... ]
// Edgar A. Poe: The Imp of Perversion


le perroquet chacy's DaWanda Shop: [link]
:iconharrespil:
Thank you. I spent two years in Scotland, it was gorgeous!

--
^v^ Til Astra på gal vei ^v^
In my galleries: nature, Norden (Norway, Scotland), South of France, paganism
:iconchac-chac:
Two years? Mah, I envy you so much!
I only had two weeks to enjoy this beautiful country .. and that's already some years ago..

--
[ No passion in nature's so demoniacally impatient, as that of him who, shuddering upon the edge of a precipice, thus meditates a plunge... ]
// Edgar A. Poe: The Imp of Perversion


le perroquet chacy's DaWanda Shop: [link]
:icontigerpusen05:
Thanks for the fave =)

--
White rabbits grant your wishes, you know.

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